Monday, February 5, 2024

 



FEBRUARY 2024 MOVIES


February 7 - Lisa Frankenstein (Universal Pictures International) 




A coming of RAGE love story from acclaimed writer Diablo Cody (“Jennifer’s Body”) about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way. 


February 7 - Mean Girls (Paramount Pictures) 





From the comedic mind of Tina Fey comes a new twist on the modern classic, MEAN GIRLS. New student Cady Heron (Angourie Rice) is welcomed into the top of the social food chain by the elite group of popular girls called “The Plastics,” ruled by the conniving queen bee Regina George (Reneé Rapp) and her minions Gretchen (Bebe Wood) and Karen (Avantika). However, when Cady makes the major misstep of falling for Regina’s ex-boyfriend Aaron Samuels (Christopher Briney), she finds herself prey in Regina’s crosshairs. As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis (Auli’i Cravalho) and Damian (Jaquel Spivey), she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school. 


February 7 - Tokyo Revengers 2: Bloody Halloween - Decisive Battle (Encore Films) 





The intense battle between former friends, which poses a threat to the collapse of Tokyo Manji Gang, has finally begun. Mikey sets out to bring back Baji, who has defected to the enemy, Valhalla. Kazutora, who remains with Valhalla, aims to crush Tokyo Manji Gang and kill Mikey. The tragic past that tore apart the founding members of Tokyo Manji Gang and broke the bonds between the former comrades comes to light. Embracing their respective convictions, will Takemichi be able to prevent the worst outcome and create a brighter future? And can he once again save Hinata and the future of his friends? 


February 14 - Madame Web (Columbia Pictures) 





In a switch from the typical genre, Madame Web tells the standalone origin story of one of Marvel publishing's most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan who develops the power to see the future… and realizes she can use that insight to change it. Forced to confront revelations about her past, she forges a relationship with three young women bound for powerful destinies...if they can all survive a deadly present.


February 21 - The Holdovers (Ayala exclusive, Universal Pictures International)




From acclaimed director Alexander Payne, THE HOLDOVERS follows a curmudgeonly instructor (Paul Giamatti) at a prestigious American school who is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually he forms an unlikely bond with one of them – a damaged, brainy troublemaker (newcomer Dominic Sessa) – and with the school’s head cook, who has just lost a son in Vietnam (Da’Vine Joy Randolph).


February 21 - Night Swim (Universal Pictures International) 




No running. No diving. No lifeguard on duty. No swimming after dark. Based on the acclaimed 2014 short film, “Night Swim” tells the story of Ray Waller, a former major league baseball player forced into early retirement by a degenerative illness. Secretly hoping, against the odds, to return to pro ball, Ray persuades his wife, Eve, that their new home’s shimmering backyard swimming pool will be fun for the kids and provide physical therapy for him. But a dark secret in the home’s past will unleash a malevolent force that will drag the family under, into the depths of inescapable terror. 


February 28 - Dune: Part Two (Warner Bros. Pictures) 




“Dune: Part Two” will explore the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a warpath of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee. 




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